By John Gagnon
An Interpretation of hope bargains a bracing number of significant essays by way of John Gagnon, one of many major and most provoking figures in sexual learn. Spanning his paintings from the Seventies, while he explored the concept sexuality is mediated via social approaches and categories—thus paving the way in which for Foucault—and then extending via his flip to problems with wish in the course of the Nineteen Nineties, those essays represent an important entr?e to the learn of sexuality within the 20th century.Gagnon should be top often called the coauthor of Sexual Conduct—a publication that brought the seminal inspiration of sexual scripting—and as one of many coauthors of The Social association of Sexuality, a foundational paintings that's extensively thought of to be an important research of human sexual habit because the Kinsey record. The essays accumulated right here first hint the impression of scripting conception on Gagnon, outlining the novel departure he took from the dominant organic and psychiatric types of intercourse learn. the quantity then turns to newer essays that ponder such vexed matters as homosexuality, the theories of Sigmund Freud, HIV, detrimental intercourse, and the social elements of sexually transmitted ailments.
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Additional info for An interpretation of desire: essays in the study of sexuality
They gamble when simply play or sing by ear. And you're twenty years old, none of the foregoing, of course, counts the successful If you're going to artists who also happen to be better to fail when tone deaf. gamble, fail, The appeal of becoming a rock star wasn't simply the access to the female popula- you're twenty than when you're sixty tion of the world (and I'm told there are more females than males). It was also the chance to earn more money than God. That was a risk worth taking. I'm here to tell you that the true appeal of being a rock star is (get ready for it) girls and money—lots of both.
We made sure no one saw the parents drive us up. Not cool. We would play the three sets and, at the end of the night, collect $150. We had very few expenses, and that meant we would each walk away with about $30 to $40. A huge sum in those days. I would have to work an entire week at my after school newspaper delivery route to earn that much. Here I was actually enjoying what I was doing, flirting with girls and looking cool (notice my polka-dot shirt), working (if you could call it that) for about three hours and still making the equivalent of what I would otherwise be making working an entire week.
In 1966 I was fifteen years old. I was in a band called The Long Island Sounds. I had just learned to play the bass guitar (notice I'm looking down at the frets—don't wanna make a mistake), because I noticed everyone wanted to play regular guitar and that few guys wanted to learn to play bass. I figured, and rightfully so, there would be less competition and thus my services would be more highly valued. I initially sang colead vocals with my school chum, Seth Dogramajian, who has unfortunately passed on but with the addition of my bass-playing duties, I was a double threat.
An interpretation of desire: essays in the study of sexuality by John Gagnon