New PDF release: Analog Science Fiction and Fact (May 2014)

CONTENTS:
• four • Are We There but? • [Editorial (Analog)] • essay by way of Edward M. Lerner
• eight • Cryptids • shortstory by way of Alec Nevala-Lee
• 22 • Lockstep: a potential Galactic Empire • [Science truth (Analog)] • essay through Karl Schroeder
• 28 • Karl Schroeder • [Biolog] • essay via Richard A. Lovett
• 29 • In Perpetuity • shortstory by means of Ellis Morning
• 38 • our bodies in Water • shortstory by way of Sarah Frost
• 38 •  Bodies in Water • inside paintings by means of Zelda Devon
• forty six • In occasions to come back (Analog, might 2014) • [In occasions to come back] • essay through uncredited
• forty seven • God may well Love Us this day, yet What approximately the next day to come? • poem through Robert Lundy
• forty seven •  God may well Love Us this present day, yet What approximately the next day? • inside paintings by way of uncredited
• forty eight • Our New Overlords • [Probability 0] • shortstory by means of Jerry Oltion
• 50 • whilst WIMPs Collide • [The trade View] • essay via John G. Cramer
• fifty three • Snapshots • shortstory by means of Kristine Kathryn Rusch
• 60 • Repo • shortstory through Aaron Gallagher
• 70 • one other Man's Treasure • shortstory by means of Tom Greene
• 70 •  Another Man's Treasure • inside art by way of Vincent Di destiny
• eighty two • All Human issues • novelette by means of Dave Creek
• eighty two •  All Human issues • inside paintings by way of Josh Meehan
• 104 • The Reference Library (Analog, could 2014) • [The Reference Library] • essay by means of Don Sakers
• one zero five •   assessment: Raygun Chronicles: area Opera For a brand new Age via Bryan Thomas Schmidt • evaluate by means of Dan Sakers
• a hundred and five •   evaluate: past the sunlight by way of Bryan Thomas Schmidt • evaluate by means of Don Sakers
• 106 •   evaluate: Treecat Wars by way of David Weber and Jane Lindskold • overview via Don Sakers
• 106 •   assessment: The Hunter via Giancarlo Genta • evaluation by means of Don Sakers
• 106 •   overview: the hot Martians by means of Nick Kanas • assessment via Don Sakers
• 106 •   evaluation: Alien come across by means of Dirk Schulze-Makuch • assessment through Don Sakers
• 107 •   overview: previous Masters and different Bookish Natterings by way of Bud Webster • evaluation via Don Sakers
• 108 • Brass Tacks (Analog, could 2014) • [Brass Tacks] • essay by way of a number of
• 108 •  Letter (Analog, could 2014) • essay by way of Christopher Myers
• 109 •  Letter: the writer Responds (Analog, may perhaps 2014) • essay via H. G. Stratmann
• a hundred and ten •  Letter: the writer Responds [2] (Analog, could 2014) • essay via H. G. Stratmann
• 112 • Upcoming occasions (Analog, may possibly 2014) • [Upcoming occasions] • essay by way of Anthony R. Lewis [as by means of Anthony Lewis ]

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Extra resources for Analog Science Fiction and Fact (May 2014)

Example text

Entering her dreams to fight him, Kristen finds herself in front of a movie theatre. She begins watching the film until a sucking wind pulls her into it, like something out of Buster Keaton’s Sherlock, Jr. But this isn’t comedy; this is horror (or perhaps terror). As she runs to meet her boyfriend, the sequence begins over and over: they are caught in a time loop and she has to break out. Like the rest of us in the audience, she is in a dream and the dream is the movies, with continuous performances.

This can take many forms, ranging from handcuffing unresponsive subjects that have been shot to keeping weapons on target and maintaining a safe distance after the threat has stopped moving . . all the way to “safety” shots into the head of previously engaged and motionless targets. Halloween (1978) is the classic example of this. Michael Myers (Nick Castle) is stabbed in the neck with a knitting needle, stabbed in the stomach with a butcher knife, and shot multiple times. Each time he gets up and goes at it again until he falls out a second story window (and he still vanishes at the end of the film).

Terror, as in Matthew G. Lewis’s Tales of Terror (1801), was a different matter entirely. The physical might enter into terror, as it did in the period of the French Revolution called the Terror, when thousands were sent to the guillotine. But in essence terror was a spiritual reaction, a sense of awe and dread that sank into one’s soul. Writers who produced a sense of horror in their readers were doing something lower-level, akin to a skeleton popping out of closet in a fun house. Horror made you fear for your own safety, while terror shook the foundations of your belief in an orderly universe and a benevolent God.

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Analog Science Fiction and Fact (May 2014)


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